ROOMERS
- Company
- GOVERN YOURSELF ACCORDINGLY PRODUCTIONS
- Writer
- Diane Baker Mason
- Runtime
- 55 minutes
It's not much, but it's home. That's what the six long-term residents of a run-down rooming house believe about where they live. But that all blows up when the house's owner hands out eviction notices, leaving them with little choice but to fight. The law's against them, but the roomers are desperate to keep that leaky roof over their heads.
Credits
- Director
- E. Llana Nakonechny
- Stage Manager
- Ashley Elliott
- Cast
- Brent Vickar
Melanie Herbin
Mark MacSween
Paul Bryant
Ian G. Mason
Brennyn Watterton
Keri Bennett
Diane Baker Mason - Social Media Manager
- Julia Neilson
More about the show experience
This show will not have a late call.
This company has set their capacity to 60%
Performances
| Date | Time | |||
|---|---|---|---|---|
| 6th July | 6:15pm | |||
| 8th July | 8:15pm | |||
| 10th July | 2:45pm | |||
| 11th July | 6:15pm | |||
| 13th July | 9:00pm | |||
| 14th July | 6:30pm | |||
| 16th July | 9:45pm |
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Venue
Land acknowledgement
Govern Yourself Accordingly Productions acknowledges that we are on the traditional territory of many nations including the Mississaugas of the Credit, the Anishnabeg, the Chippewa, the Haudenosaunee and the Wendat peoples, now home to many diverse First Nations, Inuit and Métis peoples. We acknowledge that Toronto is covered by Treaty 13 signed with the Mississaugas of the Credit, and the Williams Treaties signed with multiple Mississaugas and Chippewa bands. We respect and are grateful for the opportunity to perform this story on these lands.
Content advice
Not recommended for persons under 14 years of ageMature language
Contains occasional hostile/triggering language spoken by characters, targeting the disabled, those dealing with addiction, sex trade workers, the underhoused, immigrants, inter alia. Those facing/living with underhousing may find the subject matter disturbing.
Sensory description
Straightforward production involving players moving about a living room; no special lighting or sound effects. There is no extraordinary movement beyond one brief physical struggle amongst three characters. The play features more dialogue than movement. Those who are blind/vision impaired would likely be able to enjoy the play.
